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Year of Wonders

by Bruce Watson

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1.
The Glass 02:29
Some see the glass half empty Some see the glass half full Some see a problem and over-think it But if I see the glass, I drink it Life’s journey is long and perplexing With detours and sliding doors We all want happiness, no-one wants pain But you can’t have the rainbow if you don’t have the rain Some see the glass half empty . . . In my life I’ve seen floods, I’ve seen bushfires I’ve seen earthquakes, pandemic and war That’s when you see kindness, compassion and love And quiet heroes doing what needs to be done Some see the glass half empty . . . When you’re travelling through a long tunnel Some see darkness, some see light at the end As that light approaches, some rejoice, some complain Is it hope for the future, or an oncoming train? Some see the glass half empty . . .
2.
He was born on the first of February, 1947 A Northcote boy, back in different times The old pianola was the family’s prized possession Dad drove trucks and mum sang Patsy Cline He sang tenor in the church choir, till he discovered rock and roll By 13 he hit the stage at the Preston Town Hall And when this mop-top kid belted out his songs, his voice was pure gold And those teeny-bopper girls would scream for more He sang Shakin’ All Over, and Que Sera And It Ain’t Necessarily So He was the King of Pop, the top of the charts He was a hero — Normie Rowe Now over in the USA, Elvis was the King He’d been drafted as a soldier for Uncle Sam And a struggling Harold Holt was looking for a win To justify why we were fighting in Vietnam So when they drew the marbles out with each young man’s date of birth Normie’s number came up, and he served his country well From Pukapunyal to Vietnam the King of Pop was sent He saw things you shouldn’t see, and mates who fell He was shakin’ all over, que sera It ain’t necessarily so He was the King of Pop, the top of the charts He was a hero — Normie Rowe Back home he faced protesters and post-traumatic stress The King of Pop no more, never had a hit again And to this day the question hangs: Was that ballot rigged? Was he sacrificed for politicians’ gain? But Normie, he was valiant, he soldiered on and made the best Playing Leagues Clubs and acting on TV And he’s fought long and hard for the cause of Vietnam vets And he’s accepted: What will be will be He sang Shakin’ All Over, and Que Sera And It Ain’t Necessarily So He was the King of Pop, the top of the charts He was a hero — Normie Rowe He is a hero — Normie Rowe
3.
Déjà Vu 01:47
Have you ever had déjà vu? It’s such a strange recurring feeling You know, the feeling that what’s happening now has happened before It’s like time is not a line, but a circle that goes round & round & round & round & round & round & round That’s déjà vu, that’s déjà vu
4.
I’M ON THE TRAIN … YEAH … NO I’M ON THE TRAIN … HELLO? I’M ON THE TRAIN I RECKON I’LL BE HOME IN ABOUT HALF AN HOUR YEAH, WE’RE GOING THROUGH RICHMOND JUST NOW YOU KNOW … I WAS THINKING … SORRY … WHAT? NO, I DIDN’T GET THAT. MUST HAVE BEEN A DEAD SPOT . . . YEAH … NOT TOO BAD … YEAH … A BIT HARD TO SAY EXCEPT FOR THAT PRICK JASON. OTHERWISE IT WAS OK NO, THAT’S BEEN GOING PRETTY WELL SO FAR BUT I STILL GOTTA SORT OUT THAT LITTLE THING WITH HR . . . SO, I WAS THINKING. MAYBE WE COULD HAVE STIR FRY TONIGHT YEAH … MMMM … I GUESS SO … RIGHT WHAT WAS THAT? … OK, GOOD … YEAH, THAT’D BE NICE . . . AND I COULD STOP BY AT WOOLIES AND PICK UP SOME RICE WHO!!!??? … I GUESS SO BUT WHAT ABOUT …. I KNOW BUT DIDN’T THEY ….. OH! YEAH … YEAH … YEAH … YEAH … YEAH … YEAH … YEAH … YEAH … NO OH, DID I TELL THAT JACK’S FRIEND NEVILLE’S EX-WIFE’S NEW PARTNER’S DOG WALKER’S BABY’S HAD A TUMMY GRIPE? YEAH. THEY RECKON SHE’S BEEN SPEWING JUST EVERYWHERE I THINK THEY’RE IRRESPONSIBLE PARENTS. BUT I WON’T GO THERE . . . OH, I SAW BRENDA TODAY. MY GOD! WHAT A BITCH OH, HAVE YOU SPOKEN TO THE DOCTOR YET ABOUT THAT ITCH? I’M A LITTLE BIT WORRIED THAT IT’S SORE TO THE TOUCH IT MIGHT BE GONORRHEA — OR IT COULD BE THRUSH . . . AARGH, IT’S SO NOISY HERE, I’D BETTER SPEAK UP. YEAH FOR SOME REASON I’M GETTING ALL THESE ANGRY STARES GOTTA GO NOW, GOT ANOTHER CALL — WHAT A PAIN HELLO . . . I’M ON THE TRAIN
5.
This is the year of wonders The year of despair Chinks of light in the overwhelming darkness Acts of love everywhere We’re standing together Though we’re standing apart We’re finding new ways to bridge the chasm We’re finding our heart And we’re singing together We’re filling the void From the windows of Rome to the phones in our homes We’re finding our voice In this year of wonders . . . As we count our blessings Name them one by one Leave aside unnecessary things We’re finding our home Generosity is infectious And kindness can spread So wear a mask, but be sure to share the love There are bright days ahead In this year of wonders . . .
6.
He died alone in Reykjavik, at the age of 64 That’s a year for every square on a chessboard He was buried in a lonely graveyard on a bitter winter’s night Just swirling snow and a grave left unadorned But years before he was the top of the world, the darling of the press The golden boy of chess, a gifted genius Grandmaster at just 15, the youngest ever seen His game was magic and it seemed he had no weakness Oh Bobby Fischer, Oh golden boy His game was magic and it seemed he had no weakness In ’72 the world was split, the Cold War at its height And the Soviet Union’s chess players were unrivalled And here’s this All American kid, so difficult, so bright Out to prove the Free World’s better than the Evil Empire Fischer versus Spassky in Reykjavik, the whole world was enthralled As chess became the battlefield of nations A tense, demanding diva, he won no friends at all But he won the championship and the adulation Oh Bobby Fischer, Oh golden boy He won the championship and the adulation He was not your textbook hero, he refused to play the game He stopped competing, gave up his title He spoke of dark conspiracies, in paranoid tirades Full of hateful racist rantings, full of spite He renounced his US citizenship, abandoned his land of birth Sought refuge in Hungary, Philippines and Japan Till Iceland let him stay, that’s where he spent his final days A gifted, sad, reclusive broken man Oh Bobby Fischer, Oh golden boy A gifted, sad, reclusive broken man He died alone in Reykjavik, at the age of 64 That’s a year for every square on a chessboard
7.
She danced with all her heart and she showed us how She fought for people’s rights, speaking strong and loud She showed us what a woman in science can do We thank you so much, Shirley Andrews As a young girl she saw Pavlova on the stage Lit a fire in her heart from an early age She wrote the bible of Australian folk dance And she’d be up on that dance floor when she had half a chance She danced with all her heart . . . When she saw injustice she stood up to fight it Racism was rife — she vowed to right it She led the campaign in ’67 when all Australians were asked To recognise our First Peoples as equals at last She danced with all her heart . . . In the face of male bias she showed her defiance She shone as a woman in the men’s world of science Her lithium research was so thorough and so clever That it changed mental health care forever She danced with all her heart . . .
8.
Blobfish 02:28
I live at the bottom of the ocean near Australia Four thousand feet below I’ve got the sort of face only a mother could love Like a slimy pink bulbous big toe Even when I’m happy I always look sad My mouth in a permanent frown With these big droopy eyes it might be easy to despise me But please don’t put me down I’m a blobfish, a blobfish — I live at the bottom of the sea I’m a blobfish, a blobfish — the ugliest creature in the world, that’s me. My scientific name is Psychrolutes marcidus But it’s just plain ‘blobfish’ to my friends You may think your life is hard, but you shouldn’t make a fuss ’Cos way down here, the pressure is intense Well they held a vote to find the ugliest creature in the world And guess what — I won! But what about the axolotl? What about the scrotum frog? And . . . what about Peter Dutton! I’m a blobfish, a blobfish . . . Now we blobfish are endangered, we get caught in deep sea nets And it seems people just don’t understand That every creature is important in our precious web of life Not just the cute and cuddly ones like the panda So you can laugh at my appearance, make jokes about my face ’Cos let’s face it, my face would make you cringe But remember not to judge someone’s worth by how they look Because true beauty lies within. I’m a blobfish, a blobfish . . .
9.
This place was once called Langi-yan, that was its name since time began Langi-yan means ‘resting place of the moon’ Strangers came and changed the name, now it’s called Mt Misery ‘Cos some disoriented explorers were in a bad mood. Where volcanoes once raged, but sleep now, for many thousand years This hill was called Gerinyelam, that means ‘hill of fire’ Dreaming songs of its creation were sung, far and near Now it’s called Mt Elephant, ’cos that’s kind of what it looks like. The Land is a Map — if we can only see it The Land is a Map — if we can only read it We’ve blotted it out, we’ve hidden its stories. Yallabirang, this place by the river, is where spears were made from reeds Where ancestors fashioned spearheads from the local wood Now it’s named for a British man who sailed distant seas Vice Admiral Lord Cuthbert Collingwood. The Land is a Map . . . Worrowen means ‘place of sorrow’, where a carved tree stood as a shrine For the many Boonworrung who died on this battle ground Their memory is gone now, lost in the mists of time Now we call the place Brighton, for an English seaside town The Land is a Map . . . Repeat, replacing last line with: We’re finding it out, uncovering its stories
10.
The year was 1854, and all through London town The evil scourge of cholera was spreading all around Soho was the centre, and with the outbreak at its peak In that neighbourhood alone 500 died within a week No-one knew the cause, no reason could be found They thought it was miasma that was rising from the ground. John Snow was a doctor with a passion for the truth For years he’d had a theory, but he couldn’t find the proof So he went down to Soho determined to discover The facts behind this outbreak that caused so many there to suffer He examined every case, where people lived and what they did And then he drew a map, and the answer was revealed. There was a cluster round the Broad Street pump, you could see it on his map Everyone who’d died had taken water from this tap He left no stone unturned, he knocked on every door Confirming that contaminated water was the cause Immediately he knew just what should be done So he got the local council to take the handle off the pump. Just like turning off a tap, the outbreak stopped right in its tracks But ignorance persisted, and the handle was put back It took many years till what he’d done was truly understood And clean water could be guaranteed to London’s neighbourhoods And cholera’s now gone from the whole developed world But elsewhere we must wait – until poverty is destroyed There’s so much to thank John Snow for, and his map that changed the world The father of epidemiology, his story must be told We must remember how he fought for the truth to be heard ’Cos for many, old beliefs and not the facts are were preferred And when you think about life’s problems, be it health or climate change If you think you know more than the experts — think again!
11.
These old bones are tired now and weary This old back is wracked with aches and pains These old hands may hurt and aren’t so steady any more But this old heart still loves you just the same When first I looked into your eyes I felt a tiny spark Lit a fire that kept growing more and more We tended to the embers as the years and seasons passed Now this old flame still burns brightly as before These old bones are tired now and weary . . . A journey of a thousand miles starts with a single step Sometimes we stumble, sometimes boldly stride And though these feet are blistered long before the journey’s end These old legs are still walking by your side These old bones are tired now and weary . . . The years roll on, love’s first passion may be gone But in its place the warm embrace of lasting love goes on and on and on These old bones are tired now and weary . . .
12.
What do you know about the pangolin? In fact, do you know anything at all? There are so many myths that need some disentangling Are they reptile, mammal, fish or fowl, and are they big or small? Well, for a start, they are mammals, of the Order Pholidota The only mammals in the world that are covered in scales When they’re threatened they release an awful foul smelling odour And their scales are made of keratin, just like our fingernails And they can curl up in a ball just like an armadillo With those scales sticking out their self-protection is enhanced They grow up to one metre, weigh as much as 30 kilo With their long sticky tongue they eat termites and ants What do you know about the pangolin? I guess you’ve learnt a little bit just now There are still many myths that need some disentanglin’ Are they safe or endangered, and if so, why and how? There are eight separate species, from Africa and Asia And they’ve been here on this earth almost 100 million years But the bad news that I have is that they’re critically endangered The illegal wildlife trade could make them disappear ’Cos they are hunted for their meat, and they’re hunted for their scales To treat asthma, cure cancer, help new mothers with their milk There’s no evidence it works, but that won’t stop illegal sales And they say 100,000 pangolins a year are killed So, what do you know about the pangolin? I hope you’ve learnt a little more each verse I’ve got more to tell, so I won’t leave you danglin’ What can we do to save them, to stop things getting worse? There’s lots of speculation that pangolins were the vector That carried Covid-19 to humans from bats But even if that’s true it’s not their fault, they need protection We shouldn’t trade them in the markets, we should preserve their habitats Now, some say that this pandemic is the Pangolin’s Revenge But they’re really cute and harmless, if we don’t get in their way So each year on the third Saturday of February Let’s celebrate together, ’cos that’s World Pangolin Day! So if you’ve listened to my song about the pangolin You’ll know all you need to know, if I’m not wrong We took some myths and we did some disentanglin’ And did I mention? There’s a test at the end of this song!
13.
She was built of the finest Scottish Larch and sturdy British Oak In Aberdeen. She was the pride of the Black Ball Line 18,000 yards of canvas sails, she was built for speed In the golden age of sail, in 1855. Clippers ruled the seas, despite the coming of the steamer And gold had been discovered in Australia The Schomberg was the finest, fastest clipper ever seen They said Melbourne could be reached in 60 days, Oh-oh, Melbourne could be reached in 60 days. ‘Bully’ Forbes was the captain, the hero of the time As a seaman and commander he had no peer In just 68 days he’d made the trip sailing for the Black Ball Line He was arrogant and proud. He knew no fear. When she sailed out of Liverpool on a fine October day 500 crew and passengers upon her A cheering crowd lined the docks and wished them on their way And the band played The Schomberg Galop, written in her honour Oh-oh, the band played The Schomberg Galop, written in her honour But her heavy cargo weighed her down and progress was too slow For ten days no breeze filled those ample sails Bully Forbes paced the deck, tried to whistle up the wind But neither skill nor superstition could avail Then storms and tempests lashed them as they ventured further south On the Great Circle Route, through blinding gales When Cape Bridgewater came in sight they were 80 long days out It was Christmas Day. Bully Forbes had failed Oh-oh, it was Christmas Day. Bully Forbes had failed The next night Forbes was drinking, and he was playing cards With a young female companion below decks When the Third Mate comes down and warns of land close on the starboard He says, “I think it might be wise to go and check.” But ‘Bully’ Forbes kept playing whist, he said “Let her go to Hell!” “Come back and tell me when she’s run aground!” The bo's'n took command, but the hand of fate was dealt And on the reef the Schomberg soon went down Oh-oh, on the reef the Schomberg soon went down The lifeboats all were lowered and the passengers were saved The crew remained to salvage what they could In pounding seas the ship broke up and sank beneath the waves Just a pile of rope and rubble and broken wood. The trial was a farce and ‘Bully’ Forbes got off scot free But from that day on he was a broken man He no longer was the celebrated master of the seas How fleeting are life’s glories and great plans Oh-oh, how fleeting are life’s glories and great plans
14.
Your Letter 02:37
When I read your letter an unexpected tear trickled down my face To see again that familiar hand, that perfect copperplate After all these years When I read your letter Feels like forever since that hand held on to my hand with strength and love And though the deeds of long ago can never be undone I still hold you dear Feels like forever And I won’t be bitter. I will hold the memories of my childhood in my heart As I read your words once more I swear that I won’t fall apart I’ll pretend you’re here I won’t be bitter I don’t know why I’ve kept these things from when I was so young I don’t know why you said those things, but I’ll always be your son And I don’t know how long forgiveness takes, or if it ever comes . . . So when I read your letter an unexpected tear trickled down my face When I read your letter
15.
Old teachers never die, they just lose their class Old musicians never die, they just go from bar to bar Old farmers never die, they just go to seed Old jokes never die, they get recycled by blokes like me Old lawyers never die, they just lose their appeal, I guess that’s something we always knew Old soldiers never die — ah, but young ones do Old fishermen never die, they just smell that way And old songwriters never die, they just repeat and fade Old songwriters never die, they just repeat and fade . . . (Repeat and fade)

about

"Year of Wonders" - from the Latin “annus mirabilis.”
The term first appeared in English in a poem by John Dryden in 1667, referring to the momentous year of 1666, a year of plague, war and fire . . . and of survival, resilience and renewal.

This is Bruce Watson's eighth album. All but one of the songs were written in 2020, a year of pandemic, but they are not specifically about the pandemic. Those songs were part of a challenge I set myself to write 30 songs in 30 days during Melbourne’s first lockdown. It was a tough time, but so much good has also come of it.

Every year is a year of wonders.

"Life’s journey is long and perplexing
With detours and sliding doors
We all want happiness, no-one wants pain
But you can’t have the rainbow if you don’t have the rain"
(From Track 1: The Glass)

credits

released November 9, 2022

Bruce Watson: vocals, guitar, banjo-guitar, ukulele, glockenspiel,
Caitlin French: violin
Darryl Thompson: dobro, electric guitars
Ellen Hundley: Piano, accordion
Gavan McCarthy: double bass
Hugh Belfrage: cello
Moira Tyers & Wendy Ealey: backing vocals
Peter Ryan: electric bass (Déjà Vu)
Peter Vadiveloo: drums, percussion

All tracks recorded by Steve Bullock at JeeveS Audio Services, Boronia, Victoria (www.jeevesaudio.com.au), except:
- Electric guitars and dobro, recorded by Darryl Thompson
- Electric bass recorded by Peter Ryan

Mixed and mastered by Mischa Herman (www.mischaherman.com)

Produced by Bruce Watson

Cover photo by Jill Watson
Cover and booklet design by Wendy Ealey (Macnificent Design)

Thanks:
More than 150 wonderful people helped make this album possible by contributing to the crowdfunding campaign run through Pozible (www.pozible.com). Thank you all so much. I especially want to thank the following wonderful people, who made particularly generous contributions. Several others chose to remain anonymous. But I know who you are!

Super Generous Supporters
Jan & Bob Hale, Cathy Rytmeister, John & Catherine Watson, Margaret Brookes & Andrew Linden, Pat Ryan, Paul Jackson

Super Supporters (try to avoid names splitting across lines)
Cliff Ellery, Diana Watson, Gailene Cutler, Glenda Neild, Jeannie Marsh, John Gillespie, Judy Avisar, Leon Conway, Lynne Stone, Marja Rouse, Michael Gissing, Nigel Morson & Jane Bernal, Paul Jackson, Peter Hanley, Phil Melgaard, Ray Edmondson, Sandra Nixon, Scott Birnie, Tony Bannister

Special Supporters
Andrew & Elaine Dyson, Annette Zuidland, Bridget Roberts, Bronwyn Robinson, Bruce Parr, Bruce Rigby & Mabelle Gardiol, Chris Carter & Carolyn Sparke, Claire Stoneman, Dayle Alison Walker, Dean Lombard, Denise Allen, Denise Hibbs, Diane Calleja, Ed Robins, Francesca Waters, Garry & Pam Hayes, Geraldine Ann O'Brien, Gwenda Davey, Helen Tait, Ian Palmer & Di Kelleher, Jane Cameron, Jasmine Beth Crittenden, John & Sue Williams, John Howard & Michelle Fox, John Stanton, Julie Melia, Kerry Clarke, Keryn Archer, Louise & David Solomons, Marilyn & Allan Brownrigg, Martie Lowenstein Nash, Michael Hassett, Michael McGregor, Paul & Barb Gabriel, Raymun Ghumman, Ron & Annie Brent, Rosemary Konig, Roy & Helen Sonnenburg, Ruth & Ben Aldridge, Sue & Bob Dupré, Suzette Watkins, Tim & Kathy Wilmot, Wayne Richmond & Gial Leslie, William Watson

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Bruce Watson Melbourne, Australia

Joyful, hilarious, thought provoking and totally engaging original songs from one of Australia's foremost songwriters and performers in the folk style.

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